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Just Dance Put on Your Red Shoes

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Just Dance Put on Your Red Shoes

1983 single by David Bowie

1983 unmarried by David Bowie

"Allow'due south Dance"
LetsDance.jpg
Single by David Bowie
from the album Let'southward Trip the light fantastic
B-side "True cat People (Putting Out Fire)"
Released 14 March 1983 (1983-03-14) [1]
Recorded December 1982
Studio Power Station, Manhattan, New York City
Genre
Length iv:08 (single)
7:37 (album)
Label EMI America – EA152
Songwriter(south) David Bowie
Producer(s) Nile Rodgers
David Bowie singles chronology
"Peace on Globe/Little Drummer Boy"
(1982) 		"Let's Dance"
(1983) 		"Prc Girl"
(1983)
Music video
"Allow'south Dance" on YouTube

"Let's Trip the light fantastic" is a vocal recorded by English singer-songwriter David Bowie, released as the title track of his 1983 album Let's Dance . Written past Bowie and produced by Nile Rodgers of the ring Chichi, it was released every bit the lead unmarried from the album in March 1983 and went on to get one of his biggest-selling tracks. It was recorded in belatedly 1982 at the Power Station in Manhattan and was the start song recorded for the album. The end of the song features a guitar solo by then-ascension blues guitarist Stevie Ray Vaughan.

The single was one of Bowie'south fastest-selling. It entered the U.k. Singles Chart at No. 5 on its get-go week of release, and stayed at the top of the charts for iii weeks. [8] Soon afterwards, the single topped the Billboard Hot 100, becoming Bowie's first (and only) single to top the charts in both the United states and the Great britain. It was also his second and last single to achieve No. i in the US. In Oceania, it narrowly missed topping the Australian charts, peaking at No. ii for three weeks [9] but topped the chart for iv consecutive weeks in New Zealand. The single became i of the best selling of the yr across Due north America, Key Europe and Oceania. Information technology is one of the 300 best-selling UK singles of all fourth dimension. [10]

Development [ edit ]

In tardily 1982, Nile Rodgers met David Bowie in the New York afterward hours order Continental, where the two developed a rapport over manufacture acquaintances and shared musical interests. [xi] Bowie subsequently invited Rodgers to his house in Switzerland, which Rodgers understood to be an audition. [12]

Bowie, using a 12-string acoustic guitar that had simply six strings, played Rodgers a 2-chord blueprint, which the latter would later on draw equally "night sounding" and a "folk song"; Bowie wanted to call information technology "Let's Dance" and believed information technology to be a striking. [12] Rodgers asked if he could arrange the music, moving it higher in the scale, switching the fundamental upwardly to B♭, inverting the chords and calculation upstrokes. [12] The ii of them went on to record a demo on 19 and 20 Dec 1982 at Mountain Studios with a group of musicians, among them Erdal Kızılçay on bass. Kızılçay's work at first followed the stylings of Jaco Pastorius, but he and Rodgers ultimately worked out a simpler bassline for the song.

In 2018, Rodgers recalled "This [demo] recording was the starting time indication of what we could do together as I took his 'folk song' and arranged information technology into something that the entire world would soon be dancing to and seemingly has non stopped dancing to for the last 35 years! It became the design not merely for 'Let's Dance' the song but for the entire album likewise." [thirteen] An edited version of the demo recording, mixed by Rodgers, was released digitally on 8 January 2018, and the full-length (7:34) demo was released as a 12" vinyl unmarried on 21 Apr. [xiv] Rodgers' guitar work features a distinct funk influence, but he was afraid that the "disco sucks" movement could hamper the song's success; the version of "Let's Dance" that made it into the album had the guitar parts treated with delays by engineer Bob Clearmountain and separated into groups of notes, punctuated by the bassline. [12]

Music video [ edit ]

The music video (which uses the shorter unmarried version) was fabricated in March 1983 past David Mallet on location in New S Wales, Australia, including a bar in Carinda, the Warrumbungle National Park about Coonabarabran, and in Sydney, including The Strand Arcade, Broadway street in front end of the Academy of Notre Dame Australia and a promontory on the Sydney Heads overlooking Sydney Harbour towards the Sydney cardinal concern district. [15] [16] In the beginning, information technology featured Bowie with a double bass player inside the one-room bar at the Carinda Hotel and an Ancient couple 'naturally' dancing "to the song they're playin' on the radio". The couple in this scene and in the whole video were played by Terry Roberts and Joelene Rex, two students from Sydney'south Aboriginal Islander Trip the light fantastic toe Theatre. As Bowie opted for real people, some Carinda residents were nowadays in the bar, watching and mocking the couple. They did not know who Bowie was or that a music video was being filmed, and their reactions towards the dancing couple were genuine. [17] [18] [19]

The ruby-red shoes mentioned in the song's lyrics announced in several contexts. The couple wanders solemnly through the outback with some other Aboriginal people, when the young woman finds a pair of mystical ruby pumps on a desert mount and instantly learns to dance. Stark argues Bowie'southward calling 'put on your scarlet shoes' recalls Hans Christian Andersen's tale "The Red Shoes", in which the little girl was vainly tempted to wear the shoes only to find they could not exist removed, separating her from God'south grace – "let's dance for fright your grace should fall" [xx] "The red shoes are a found symbol. They are the simplicity of the capitalist guild and sort of striving for success – black music is all virtually 'Put on your reddish shoes'", as Bowie confirmed. [21]

Soon, the couple is visiting museums, enjoying candlelit dinners and casually dropping credit cards, drunk on modernity and consumerism. During a stroll through an arcade of shops, the couple spots the same pair of red pumps for sale in a window brandish, their personal key to joy and freedom. They toss away the magic kicks in revulsion, stomping them into the dust and return to the mountains, taking ane last wait at the city they've left backside.

Bowie described this video (and the video for his subsequent single, "China Daughter") as "very unproblematic, very straight" statements against racism and oppression, but also a very straight statement about integration of 1 culture with another. [17] [xviii]

Reception [ edit ]

"Let'southward Dance" was described past Ed Power in the Irish gaelic Examiner equally "a decent clamper of funk-rock". [seven] Writing for the BBC, David Quantick said "the combination of Bowie and Rodgers on the championship runway was perfect – Bowie's ballsy lyric nigh dancing under 'serious moonlight' and the brilliant filching of the crescendo 'ahh!'s from the Beatles' version of the Isley Brothers' 'Twist and Shout' were masterstrokes, each welded to a loud, stadium-ised drum and bass sound". [22] In his retrospective review of the Let'southward Dance album, Stephen Thomas Erlewine of AllMusic called the vocal, along with "Modern Love" and "Red china Daughter", a "catchy, accessible song that has just enough of an alien edge to make [it] distinctive". [2] In his AllMusic review of the song, Dave Thompson writes, "[the song] is one of Bowie's most overtly commercial compositions, further blessed by one of his most simplistic lyrics – the sociological content with which the vocal has historically been credited derives entirely from the accompanying video, equally opposed to a lyric which does little more than repeat the title around scattered invocations of "serious moonlight" and scarlet footwear." [23]

The song introduced Bowie to a new, younger audition unaware of his 1970s piece of work. Although the rails was his near popular to date, its very success had the incongruous effect of distancing Bowie from his new fans, with Bowie saying he did non know who they were or what they wanted. [24] His next two albums, made as an attempt to cater to his new-found audience, suffered creatively equally a result and Bowie cited them as the albums he was least satisfied with in his career. [25]

Frank Zappa'south song "Exist In My Video" from the 1984 album Them Or U.s. mocks music videos by and large – and the "Allow'due south Dance" video in particular – as pompous and riddled with cliches. [26]

Legacy [ edit ]

The shorter, unmarried version of "Allow's Trip the light fantastic" has appeared on numerous compilation albums, the commencement existence Changesbowie in 1990, [27] and was remastered, along with the entire Let'south Trip the light fantastic album, on the 2018 box set Loving the Alien (1983–1988) . [28]

In the 2001 movie Zoolander , the song plays as Bowie appears in the movie.

In 2007, Bowie gave R&B vocalizer Craig David permission to sample the song for his unmarried "Hot Stuff (Let's Trip the light fantastic)". [29]

Let'due south Dance: Bowie Down Nether, a short documentary by Rubika Shah and Ed Gibbs, explored the making of the music video in the Australian outback. It premiered at the Berlin International Film Festival in February 2015. [xxx]

Jimmy Fallon covered the song every bit a tribute to Bowie on a 2017 episode of Saturday Night Alive ; [31] the episode was the kickoff-ever to be broadcast live across the entire United States. Nile Rodgers as well played the song on guitar.

The vocal was used in commercials to promote effigy skating for the 2018 Winter Olympics on NBC.

The song was used in the soundtrack of the 2020 video game Sackboy: A Large Adventure.

On Jan two, 2021, "Let's Dance" was ranked No. 139 on the Top 300 Listeners' Option chart on SiriusXM's Big 80s On viii.

Alive performances [ edit ]

The track was a regular on the Serious Moonlight Bout (the name derived from a lyric in "Let's Dance"), and was released on the 1983 concert video Serious Moonlight . The vocal was also performed live on Bowie's 1987 Glass Spider Tour (and released on 1988's Glass Spider ), and on his 1990 Audio+Vision Tour. It was played acoustically in 1996 and then reworked semi-acoustically for tours in 2000 and subsequently. Bowie'southward 25 June 2000 operation of the song at the Glastonbury Festival was released in 2018 on Glastonbury 2000 . A live recording from 27 June 2000 was released on BBC Radio Theatre, London, 27 June 2000, a bonus disc accompanying the first release of Bowie at the Beeb in 2000. Nile Rodgers also regularly plays the song, and information technology was part of his prepare during his 2017/18 world bout with Chichi. In 2016, a live performance of "Allow's Trip the light fantastic toe" with Tina Turner peaked at #31 in France. [32]

Track list [ edit ]

7": EMI America / EA 152 (U.k.) [ edit ]

  1. "Let's Trip the light fantastic" (Unmarried Version) (David Bowie) – 4:07
  2. "Cat People (Putting Out Fire)" (Bowie, Giorgio Moroder) – v:09

12": EMI America / 12EA 152 (Great britain) [ edit ]

  1. "Let's Dance" (Bowie) – seven:38
  2. "Cat People (Putting Out Burn down)" (Bowie, Moroder) – v:09

Cassette [ edit ]

  1. "Let's Dance" (Bowie) – 7:38
  2. "Cat People (Putting Out Fire)" (Bowie, Moroder) – 5:09

Personnel [ edit ]

Chart functioning [ edit ]

Weekly charts [ edit ]

Year-end charts [ edit ]

Certifications and sales [ edit ]

See also [ edit ]

References [ edit ]

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General

  • Buckley, David, Foreign Fascination: David Bowie: The Definitive Story – Revised & Updated, Virgin Books, 2005, ISBN978-0-7535-1002-5
  • Pegg, Nicholas, The Complete David Bowie, Reynolds & Hearn Ltd., 2000, ISBN1-903111-fourteen-five
  • Mojo Bowie, EMAP Functioning Network Ltd., 2004

Just Dance Put on Your Red Shoes

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